Wednesday, August 24, 2022

Review of The ROAD BACK by Erich Maria Remarque

This incredible starkly vivid realistic novel of the return home of defeated German soldiers at the end of the Great War is the most powerful anti-war novel I’ve ever read. Centrally this is so because seldom does Remarque get on his author’s soap box and preach or lecture and definitely doesn’t harangue (like some anti-war books do).

Add to that Remarque’s realistic sharp poetic prose and many short vignettes about individual soldiers’ horrific experiences, sharp daggers into readers’ emotions.

Often, I felt I was there—the descriptions of the landscape, nature, comrades—in that terrible time. What is so strange is that those German soldiers’ experiences (who supposedly were the bad Huns according to American interpretation such as Billy Sunday’s) are almost exactly like many Americans’ war experiences.

That is a central theme in The Road Back that war itself, and the pro-war lies and propaganda is the evil, not individual soldiers on any side! The latter go off to war convinced they are on the Right side, and that they are doing their patriotic duty, are honorable, and just.

However, after being in the war all of those false claims and promises and hopes are shell-holed obscenities. What is real are the tragic, needless, excruciating deaths of their comrades, and that they ruthlessly shot, bayoneted, hand-grenaded strangers, like unto themselves, who had done nothing against them but just happened to be born in a different nation.

It is qualities such as those for why I give Road Back a 9/A. Then why the 2nd grade, an 8/B? Because for one, there really is no plot, no narrative, no beginning to end story in this famous novel published in 1930.

Rather, as mentioned already, its key feature are vivid real vignettes (most likely that happened to actual individuals that Remarque fictionalized).

These many vignettes describe many different situations, results, activities, etc. of soldiers in the Great War and their alienations when they return at the end. Many of them are exactly the same ones that occur in all wars—loss of loved comrades,
bogus government propaganda (“For the Fatherland”),
the objectification of women, brothels (I was shocked that the German government provided such evils), V.D.,
the brutalization of idealistic naïve young men,
their descent into regularly violating all of the 10 Commandments, especially killing with gusto and stealing constantly,
the lack of food and equipment, the government failing to provide what is necessary,
the blithe ignorance and delusion of civilians back home about what is really like,
cynicism and loss of hope, direction, and purpose for many soldiers, etc.

But where is there a plot and story? Not there.

Repeatedly, while listening to the great audio interpretation by Graham Halstead, I found myself restless to get to the end of the book.

And since Germany for hundreds of years had been very religious, the center of Christianty, theological study, etc., it is vey weird that Remarque never mentions God, Jesus, going to the Lutheran, Reformed, or Roman Catholic services--none at all except to identify a cathedral in a description or to mention he taught his elementary students their catechism!
The novel is entirely secular in theme. The only focus of the characters are on the most superficial of things in life. Constantly women, marriage, values are ignored, mistreated, or objectified!

Lastly, the weakest part of the novel is its poor conclusion (in the last 75 pages or so). Suddenly Remarque leaves off his hundreds of pages of stark, vivid prose of dark realism and tries to pass off a weak romanticism/nature mysticism as a positive answer for the main character and the others as to how they can find direction again. For that reason, the last evaluation is a 2.5/D.

What the book has done for me is to give me a deep philosophical and political desire to understand on a personal level (not the famous leaders’ historical tomes) why and how the brilliant, highly educated Germans came to such horrible, tragic ends in the 20th century.

Of course, one central factor is that after the war, when there was so much suffering, resentment, hatred, brutalization, loss of moral values, etc., many didn’t choose the ways of Ernst and his comrades, but in that empty/noting chaos, they opted for false utopian visions—many to the Bolsheviks, and many to the National Socialists.

What’s scary is that in many ways—though of course to a far lesser extent—I see the same things occurring in the U.S. now—cultism, propaganda of right and left-wing extremism, injustice, massive lying, superficial media values, the loss of moral vision and civil behavior, etc.

Evaluation: A/B/D
8/24/2022

In the Light,
Dan Wilcox

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